Ever since he began playing the classical guitar, when he had applied to Music Studies at the high school in the town where he grew up, he knew that this was his strong point: discipline. His friends were creative and quick-witted, but he was rock hard. That was how it had to be done; not feeling, but doing. He overcame his lack of talent by resortingto time and patience, and as long as he stayed out of situations where he could be taken by surprise, as long as he never let anyone convince him to play anything by ear, it was fine. As long as he played on his own conditions.
Doctrine of the Affections is a story about music and love. And about leaving on a high note.
Praise for Doctrine of the Affections:
”a well-written coming-of-age story […] the story has energy and the language creates sparks.”
Moss Avis
”Doctrine of the Affections will resonate in the reader’s mind long after reading it.”
Aftenposten
”An extroverted and restless novel that does not give any answers, but still feels cleansing. Every sentence feels equally important… Oh, at times it is painful to read this book. There is a strong sense of identification: I will bet money that everyone who reads it will feel an intense quiver at some point. The critic’s favourite Lirhus is still seen as someone who appeals to picky readers. I hope this book will bring him a larger audience, exactly because he is able to articulate all those things that can be so damn hard to verbalize. Look around: We all have some of Lirhus’ characters in us.”
Dagbladet
“Rhythm and musicality, a high level of reflection, and a special force where [Lirhus] depicts doubt and uncertainty that torments the protagonist. It isn’t easy being human. Try it, if you want.”
Stavanger Aftenblad
